| BORN |
| 1958 |
Born London, England. |
| EDUCATION |
| 1979-1982 |
Goldsmith's School of Art, London |
| AWARDS |
| 2001 |
Music Week CADS, Best Illustration for "Best of Blur" |
| 1995-96 |
Residency at the Atelier Calder in Saché, France |
| 1995 |
Sargant Fellowship at the British School in Rome |
| SELECTED SOLO EXHIBITIONS |
| 2008 |
Mie Prefecture Museum, Japan
Tokyo Metropolitan Museum of Photography, Japan |
| 2007 |
Walk on the Vltava, Museum Kampa, Prague, Czech Republic
Recent Works, Gallerie Barbara Thumm, Berlin, Germany
San Diego Museum of Art, San Diego, CA
Barbara Krakow Gallery, Boston, MA
Julian Opie in the 90's, King's Lynn Art Centre, Norfolk, United Kingdom |
| 2006 |
Julian Opie, CAC Malaga, Spain
Galerie Bob Van Orsouw, Zürich, Switzerland
Alan Cristea Gallery, London, England
Museum of Indianapolis, IN |
| 2005-2006 |
Institute of Contemporary Art, Boston, MA |
| 2005 |
Gallery Mario Sequeira, Braga, Portugal
La Chocolateria, Santiago de Compostela, Spain
Scai the Bathhouse, Tokyo
Gallery MGM Oslo, Norway
Gallery Valentina Bonomo, Rome, Italy |
| 2004-2005 |
Animals, Buildings, Cars and People, Public Art Fund, City Hall Park, New York, NY |
| 2004 |
Sara, Bryan & Monique, Lisson Gallery, London, England
Wetterling Gallery, Stockholm, Sweden
Kunsthandlung H. Krobath & B. Wimmer, Vienna, Austria
Patrick de Brock Gallery, Knokke, Belgium
Barbara Thumm Galerie, Berlin
MCA Chicago |
| 2003 |
Neues Museum, Staatliches Museum für Kunst und Design in Nürnberg, Germany
Bijou Gets Undressed, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf
Alan Cristea Gallery, London
Galerie Bob Van Orsouw, Zürich, Switzerland |
| 2002 |
Rebecca Camhi Gallery, Athens
Mario Sequeira Gallery, Braga, Portugal
Berlin Classics, Galerie Barbara Thumm, Berlin
Barbara Krakow Gallery, Boston, MA
Atelier Augarten, Galerie Belvedere, Vienna |
| 2001 |
Lisson Gallery, London
Patrick de Brock Gallery, Knokke, Belgium
Ikon Gallery, Birmingham
Wetterling Gallery, Stockholm |
| 2000 |
Abbaye Saint-André, centre d'art contemporain, Meymac, France
Junge Kunst, Wolfsburg
Alan Cristea Gallery, London
Scai the Bathhouse, Tokyo |
| 1999 |
Primo Piano, Rome
Morrison Judd, London
Tensta Konsthall, Stockholm
John Islip Street wall, Tate Gallery, London
Barbara Thumm Galerie, Berlin
Galerie Bob van Orsouw, Zurich
Stadtgalerie am Lehnbachhaus, Munich
The Lux Centre, London, night time window projections
Barbara Krakow Gallery, Boston |
| 1998 |
Heathrow Airport terminal 1 |
| 1997 |
Gallery Nova Sin, Prague
Barbara Thumm Galerie, Berlin
The Economist Plaza, London
Kunsthandlung H. Krobath & B. Wimmer, Vienna
New Pieces, Julian Opie and Lily van der Stokker, De Gouverneurstuin, Assen, NL |
| 1996 |
Galerie Analix B&L Polla, Geneva
Galerie Bob Van Orsouw, Zurich
Lisson Gallery, London |
| 1995 |
Galerie de l'Ancienne Poste, Calais
Monica De Cardenas, Milan 1994-95 "5 bâtiments de banlieue, Bordeaux, France |
| 1994 |
Kunstverein Hannover
Galerie Albrecht, Munich
Tramway, Glasgow
Wormwood Scrubs, London |
| 1993 |
Hayward Gallery, London |
| 1992 |
Wiener Secession, Vienna |
| 1991 |
Kohji Ogura Gallery, Japan
Galerie Luis Campaña, Frankfurt
Jänner Galerie, Vienna
Galleria Franz Paludetto, Turin
Primo Piano, Rome
Kunsthalle Bern |
| 1990 |
Lisson Gallery, London |
| 1988 |
Lisson Gallery, London
Galeria Montenegro, Madrid
Paul Maenz, Cologne |
| 1986 |
Franco Toselli Gallery, Milan |
| 1985 |
Lisson Gallery, London
Institute of Contemporary Arts, London
Julian Opie and Lisa Milroy, Fondation Cartier pour l'art contemporain, Jouy-en-Josas, France |
| 1984-85 |
Kölnischer Kunstverein, Cologne (travelled to Groninger Museum, Groningen, Holland) |
| 1983 |
Lisson Gallery, London |
| SELECTED GROUP EXHIBITIONS |
| 2008 |
Beyond Representation, Jenkins Johnson Gallery, San Francisco, CA |
| 2007 |
Passion for Art, Sammlung Essl, Vienna
Group Show II, Barbara Krakow Gallery, Boston, US |
| 2006 -2007 |
The Wonderful Fund: Art for the new millennium 2000-2005, Pallent House Gallery, UK
Eye on Europe: Prints, books & Multiples, 1960 to Now, MOMA, NY |
| 2006 |
Face to Face (Portraits from Reynolds to Opie), Sherborne House, UK
Summer Group Show, Barbara Krakow gallery, Boston, MA
Swing Space: Contemporary art in unexpected places, Art Gallery of Ontario (AGO), Canada
Switched On, Alan Cristea, London
Shanghai Biennale, China
Auto Nom Kasel, Germany |
| 2004-2006 |
Likeness: Portraits of Artists by Other Artists, traveled to: California College of Arts, San Francisco, CA; McColl Center for Visual Art, Charlotte, NC; ICA Boston, MA; Dalhousie University Art Gallery, Halifax, Nova Scotia, Canada; University Art Museum, CSU at Long Beach, CA; Illingworth Kerr Gallery, Alberta College of Art & Design, Calgary, Alberta, Canada |
| 2004 |
Making Faces, A National Gallery Touring Exhibition, Bristol Museums & Art Gallery and the Laing Art Gallery, Newcastle
Settlements, Musée d'Art Moderne de Saint-Etienne, France
Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art, Dublin, Ireland
The Tower Block, vertical architecture, Clifford Chance, Canary Wharf, London
Porträt ohne Antlitz (Face without features) Kunsthalle Kiel, Germany
Funny Cuts; cartoons and comics in contemporary art Staatsgalerie, Stuttgart, Germany
People, Mimmo Scognamiglio, Naples, Italy
Summer Exhibiton, Royal Academy of Art, London |
| 2003 |
Saved, 100 Years of the National Art Collections Fund, Hayward Gallery, London
Lenbachhaus Kunstbau, Münich
Arcadia: the other life of video games, Govett-Brewster Art Gallery, New Zealand.
Addiction, curated by Christopher Kul-Want, 15 Micamber Street, London
Bienal de Valencia, Valencia, Spain.
No Art-No City - City Utopias in Contemporary Art. Städtische Galerie Bremen, Germany
Auto-nom, das Automobil in der Zeitgenössischen Kunst, NRW Forum Kultur und Wirtschaft, Düsseldorf, Germany
Urban Codes - Coder/De' coder, Château de Mouans, Mouans-Sartoux, France
Trickfilm, André Buchmann Galerie, Cologne
Robert Mc Lain Gallery, Houston, TX
MART - Museo di Arte Moderna e Contemporanea di Trento e Rovereto |
| 2002-2003 |
Trespassing: Houses x Artists, at the Bellevue Art Museum, Washington, MAK Centre for Art and Architecture, Los Angeles and MAK Vienna
Total Überzogen, Edith-Russ-Haus für Medienkunst, Oldenburg, Germany |
| 2002 |
The Wall at WAM, Worcester Art Museum, MA
Sculptura 02, International Art in Public Spaces, Falkenberg, Sweden
Remix, Contemporary Art and Pop, Tate Liverpool.
Out of Place, Bury St Edmunds Art Gallery, Bury St Edmunds.
Shine, the Lowry, The National Landmark Millennium Project for the Arts, Salford Quays, Salford
Babel 2002 (Race-Face, Langue-Dialogue), National Museum of Contemporary Art, Seoul, Korea
New Acquisitions, Scottish National Gallery of Modern Art, Edinburgh
Sandra Gering Gallery, New York
Baltic, the Centre for Contemporary Art, Gateshead
Shine, Saint Pancras Chambers, London
Blast to Freeze, British Art in the 20th Century, Kunstmuseum Wolfsburg
The Galleries Show, the Royal Academy, London
Projects 77, billboards for the Museum of Modern Art, New York
Continuity/Departure, Tokyo Museum of Modern Art and National Museum of Art, Osaka, Japan. |
| 2001-2002 |
Landscape, The British Council, traveled to: ACC Gallery, Weimar; House of Artists, Moscow; Peter and Paul Fortress, St. Petersburg; Galleria Nazionale d'Arte Moderna, Rome; Centro Cultural del Conde Duque, Madrid; Sofia Municipal Gallery of Art, Bulgaria; Museu de Arte Contemporânes de Niterio, Rio de Janeiro; Museu de Arte de São Paolo
Le Botanique, centre culturel de la communauté française Wallonie-Bruxelles
In Fumo, Galleria d'Arte Moderna e Contemporanea, Bergamo, Italy
Import, Irish Museum of Modern Art.
Multiplication, The British Council, traveled to:National Museum of Art, Bucharest; Muzeul de Arta in Brasov, Muzeul Brukenthal, Sibu, Rumania; Croatia, Turkey, Russia, Estonia and Poland; Tate Modern permanent collection |
| 2001 |
Art/Music: rock, pop, techno, Museum of Contemporary Art, Sydney
Sculpture in the Close, Jesus College, Cambridge
Cause & Effect, organised by the British Council (touring in Poland, Hamburg, and Cuba)
Milano Europa 2000, PAC e Triennale di Milano, Milan. Curated by Jonathan Watkins.
Art/Music: rock, pop, techno, Museum of Contemporary Art, Sydney, Australia |
| 2000 |
Contemporary Performance Arts, Inc., Matthew Marks Gallery, NY
Lawrence Rubin / Greenberg / Van Doren, NY
A Salon for the 21st Century, John Weber Gallery, New York, NY
Lost, Ikon Gallery, Birmingham
Videoprogramm, Galerie Barbara Thumm.
Drive, Govett-Brewster Art Gallery, New Plymouth, New Zealand
The Self is Something Else, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
Hausschau - Das Haus in der Kunst, Deichtorhallen, Hamburg
Sitooteries, Belsay Park, Newcastle-upon-Tyne
Between Cinema and a Hard Place, Tate Modern, London
Parklight, curated by Alice Sharp, Clissold Park, London
Fact & Value, Charlottenburg, Copenhagen
New British Art 2000: Intelligence, Tate Britain, London
Face à face, Kunstpanorama Luzern, Switzerland
Pict, Walter Phillips Gallery Banff Center for the Arts, Banff, Canada
Give and Take, Jerwood Gallery, London
Version 2000, Centre pour l'image contemporaine, Saint-Gervais, Genève
Wanted!, International Video Program, Bunkier Sztuki, Krakow |
| 1999 |
Schöpfung, Freising Diözesanmuseum, Munich
Etcetera..., Spacex Gallery, Exeter
Common People. British Art Between Phenomenon and Reality, Fondazione Sandretto Rebaudengo per l'Arte, Guarene d'Alba
Cruise Control, Christine Rose Gallery, NY
In the midst of things, Bournville, Birmingham
Manufacturers, The Paper Bag Factory, London
Panorama 2000, Centraal Museum, Utrecht, NL
The Space Here is Everywhere, Villa Merkel, Esslingen
Den Haag Skulptur 1999, Den Haag
Shopping, FAT, London (plastic bags)
Vergiss den Ball und spiel weiter, Kunsthalle Nürnberg, Germany
Galleria S.A.L.E.S., Rome
Teatro Botanico, la natura nell'arte del XX secolo, Museo del Castello Ursino, Catania
Art in the City 4, Kunsthaus Bregenz, Bregenz, Austria |
| 1995-2000 |
5 years of print publishing (Dec. 99), Alan Cristea Gallery, London 1998
Thinking Aloud, South Bank Centre, traveled to: Kettle's Yard, Cambridge; Cornerhouse, Manchester; Camden Arts Centre, London
Le voyage immobile, Galerie George-Philippe Vallois, Paris
Ciudades sin nombre, La Sala de Esposiciones de Plaza de España, Madrid
Made in London, Expo '98, Museu de Electricidada, Lisbon
Richtung Museumsquartier - Die neue Sammlung (1), Palais du Liechtenstein, Wien
Then and Now, Lisson Gallery, London
Distinctive Elements, The British Council at The Museum of Contemporary Art, Seoul, Korea
Every Day, 11th Biennial of Sydney, Sydney
Kimpo International Sculpture Syposium, Kimpo Sculpture Park, Korea
11th Biennial of Sydney, Sydney (outdoor sculpture)
Surfacing Contemporary drawing, ICA, London |
| 1997 |
On the Border, Dan Bernier Gallery, Santa Monica, Los Angeles
Dream of the Fisherman's Wife, Sandra Gering Gallery, New York
Foundations of Fame, London Institute, London
Culturgeist, Caixa General de Depositos, Lisbon
10 Jahre Stiftung, Kunsthalle Bern
Material Culture: The Object on British Art of the 1980s and '90s, Hayward Gallery, London
Such is Life, Serpentine Gallery, traveled to: Palais des Beaux-Arts, Brussels; Hersliya Museum, Israel
printers inc., Arts Council Collection Exhibition
Artists for Sarajevo, Fondazione Querini Stampalia,
Follow Me, British Art on the Elbe, Art Studio, Deinste, Germany
Another & Another & Another Act of Seeing (Urban Spaces), Desingel International Arts Centre, Antwerp
Art in the City, Kunsthaus Bregenz and Bregenz Kunstverein, Bregenz, Austria
Need for Speed, curated by Thomas Trummer, Kunstverein Graz, Austria |
| 1996 |
Elsewhere, galerie Froment & Putman, Paris
Abstract Real, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
City Limits, Staffordshire University, Staffordshire Exhibition Catalogue
The East Wing Exhibition, Courtauld Museum of Art, London |
| 1995 |
It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art, organized by Exhibition Management, Inc., traveled to: Contemporary Arts Center, Cincinnati, OH; Lakeview Museum of Arts and Science, Peoria, IL; Virginia Beach Centre for the Arts, VA; Tacoma Art Museum, WA; Jacksonville Museum of Contemporary Art, FL; Dean Lesher Regional Centre for the Arts, Walnut Creek, CA; Phoenix Art Museum, AZ; Lowe Art Museum, Coral Gables, FL; Milwaukee Art Museum, WI; Arkansas Art Centre, Little Rock, AR
Drawing the Line, South Bank Centre Touring Exhibition
Micromegas, American Centre, Paris
British Art of the 1980s and 1990s - Works from the Weltkunst Collection, The Irish Museum of Modern Art, Dublin
Haus-Geburt, Offenes Kulturhaus, Linz
Escultura britànica contemporànea, De Henry Moore òs años 90., Auditorio de Galicia, Santiago de Compostella, Spain (touring to Serralves Foundation, Oporto, Portugal)
Fuori Uso, Stabilimenti Ex-Aurum, Pescara
British Abstract Art Part II: Sculpture, Flowers East, London
Architecture(s), CAPC musée d'art contemporain, Bordeaux
Contemporaneamente, Curated by Cecilia Casorati, Associazione Spazio Immaginato, Napoli |
| 1994 |
Spuren, Kunsthalle Bern
New Voices: British Painting, a Selection 1989-1992 (organised by the British Council), traveled to Centro de Arte Santa Monica, Barcelona; Museo de Bellas Artes, Bilbao; Centro Cultural Galileo, Madrid
London Landscapes, Velan-Spazio 9 Arte, Turin
Re Rebaudengo Sandretto Collection, S. Antonio di Susa, Turin
Anthony Reynolds Gallery, London
Opera Prima, Trevi Flash Art Museum of Contemporary Art, Italy
The Institute of Cultural Anxiety: Works from the Collection, Institute of Contemporary Arts, London
Cityscape, Monica de Cardenas, Milan
Jedes Haus ein Kunsthaus, Museum für Gestaltung, Zurich |
| 1993 |
IN SITE- New British Sculpture, Museet for Samtidskunst, Oslo
Machines for Peace, ex-Yugoslavian Pavillion, Venice Biennale
Serpentine Gallery, London
Juxtaposition, Charlottenburg, Copenhagen
Made Strange, Ludwig Museum, Budapest
Padiglione dell'Arte Contemporanea, Milan
Sculpture of the Eighties, Connaught Brown, London 1992-93
Julian Opie, Jürgen Albrecht, Tin Head, Yuriko Kurimoto, Foro per l'Arte Contemporanea, Verona
Paolo Ucello: spazio e colore, tempo e materia, luce e forma. Battaglie dell'arte nel XX secolo, La Salernia, Erice and Sale del Bramante, Rome |
| 1992 |
Like Nothing Else in Tennessee, Serpentine Gallery, London
Whitechapel Open, Whitechapel Art Gallery, London
New Voices, New Works form the British Council Collection, centre de conférences Albert Borschette, Brussels |
| 1991 |
Confrontaciones 91 (Eight British and eight Spanish Artists), Palacio Velasquez, Madrid
Kunst Europa, Kunstverein Pforzheim, Germany (organized by the British Council )
Centenary Exhibition, Goldsmith Gallery, London
Objects for the Ideal Home, the Legacy of Pop Art, Serpentine Gallery, London
A View of London, Künstlerhaus, Salzburg
Galleria Locus Solus, Genova |
| 1990 |
Filling in the Gap, Feigen Art Gallery, Chicago
Objectives: The New Sculpture, Newport Art Museum, Newport Beach, CA
The British Art Show 1990, traveled to: Mc Lellan Galleries, Glasgow; Leeds City Art Gallery; Hayward Gallery, London; Biennial of Sydney, Sydney
Studies on Paper. Contemporary British Sculptors, Connaught Brown, London
Bild und Wirklichkeit, Galerie Albrecht, Munich
Sculpture, Margo, Leavin Gallery, Los Angeles
Real Allegories, Lisson Gallery, London
Work in Progress International Art in the Caja de Pensiones Foundation Collection, Madrid |
| 1989 |
Grenville Davey, Michael Craig Martin, Julian Opie, Lia Rumma Gallery, Naples
Mediated Knot, Robin Lockett Gallery, Chicago
Objet objectif, galerie Daniel Templon, Paris
Skulptur Teil II, Galerie Six Friedrich, Munich
D+S Austellung, Hamburg Kunstverein, Hamburg |
| 1988-89 |
Britannica: 30 ans de sculpture, musée des beaux-arts André Malraux, Le Havre; musée d'Evreux; école d'architecture de Normandie, Rouen
British Sculpture 1960-1988, Museum van Hedendaagse Kunst, Antwerp 1988
Europa Oggi/Europe Now, Museo d'Arte Contemporanea, Prato, Italy
Les annèes 80: à la surface de la peinture, centre d'art contemporain, Saint-André, Meymac
Wolff Gallery, New York |
| 1987 |
Terrae Motus, Grand Palais, Paris (organized by Fondazione Amelio, Naples)
British Art of the 80's: 1987, Liljevlachs Konsthall, Stockholm (organized by the British Council)
Tampere as Britannia: Paintings and Sculptures form the 1980's, Sara Hilden Museum
Casting an Eye, Cornerhouse, Manchester
Documenta 8, Kassel Exhibition Catalogue |
| 1986 |
Skulptur - 9 Kunstnere fra Storbrittanien, Louisiana Museum of Modern Art, Humlebaek, Denmark XVII Triennale di Milano, Milan
De Skulptura, Eine Ausstellung der Wiener Festwochen
Wiener Festwochen im Messepalast, Vienna
Englische Bildhauer, Galerie Harald Behm, Hamburg
Prospect 86, eine internationale Ausstellung aktueller Kunst, Frankfurter Kunstverein, Frankfurt
Correspondientie Europa, Stedelijk Museum, Amsterdam
Focus on the Image: Selection from the Rivendell Collection, organized by the Art Museum Association of America, traveled to: Phoenix Art Museum, Phoenix; Museum of Art, University of Oklahoma, Norman; Munson-Williams-Proctor Institute Museum of Art, Utica, NY; University of South Florida Art Galleries, Tampa, FL; Lakeview Museum of Art and Science, IL; University Art Museum, CSU, Long Beach, CA; Laguna Glori Art Museum, Austin TX |
| 1985 |
The British Show, organized by Art Gallery of New South Wales, Sydney, and The British Council, traveled to: Art Gallery of Western Australia, Perth; Queensland Art Gallery, Brisbane; The Exhibition Hall, Melbourne; National Art Gallery, Wellington, NZ
XIIème Biennale de Paris, Grande Halle de la Villette, Paris
Still Life: A New Life, Harris Museum and Art Gallery, Preston, traveled to: Bradford Art Galleries and Museum; Hatton Gallery, Newcastle-upon-Tyne; Carlisle Museum and Art Gallery, Stoke-on- Trent
Anniottanta, Ravenna
Three British Sculptors: Richard Deacon, Julian Opie and Richard Wentworth, The Israel Museum, Jerusalem
Place Saint-Lambert Investigations, Espace Nord, Liège
Figure 1, Aberystwyth Arts Centre, Wales
Sculpture in a Garden, Bluecoat Gallery, Liverpool
Forty Years of Modern Art 1945-1985, Tate Gallery, London |
| 1984 |
Metaphor and/or Symbol. A Perspective on Contemporary Art, The National Museum of Modern Art, Tokyo andThe National Museum of Art, Osaka
Artists for the 1990s - 10 Galleries, 10 Artists, Paton Gallery, London
Underwater, Plymouth Arts Centre
Sculpture Symposium 1984, St Jean-Port, Quebec
William Morris Today, Institute of Contemporary Arts, London |
| 1983 |
Charter House Square, London
Young Blood, Riverside Studios, London
Beelden/Sculpture
Rotterdam Arts Council, Rotterdam
The Sculpture Show, Hayward and Serpentine Galleries, London
8 Sculptors' Drawings, Air Gallery, London
Making Sculpture,Tate Gallery, London |
| 1982 |
Lisson Gallery, London
Sculpture for a garden, Hounslow Sculpture II, Gunnersbury Park, London |
| SELECTED ARTICLES AND REVIEWS |
| 1983 |
Vaizey, Marina. “Playing serious games,” The Sunday Times, London, 24 April
Taylor, John Russell. "Young Blood", The Times, London, 26 April.
Byrne-Sutton, Fiona. "Riverside Studio. Young Blood", Art Line Review, No 7, June.
Januszczak, Waldemar. "Three into two won't go", The Guardian, London, 16 August.
Feaver, William. "From Camel to Camay", The Observer, London, 21 August.
Beaumont, Mary Rose. "The Sculpture Show", Arts Review, September, pp.474-475.
Hicks, Alistair. "Talent under protection", Mercury, September, p.36.
Feaver, William. "Mr Futile's Progress", The Observer, London, 2 October.
Miller, Sandra. Art Press, No 75, November.
Koether, Jutta. "Julian Opie. Die Sympathische Plastik",Spex Musik zur Zeit, Cologne, No 12, December, pp.52-53.
Newman, Michael. "The Bankable Sculpture of Julian Opie", The Face.
Kent, Sarah. "Julian Opie", Time Out, 29 September. |
| 1984 |
Michael Newman. "La Double Ironie de Julian Opie", ArtPress, Feb, pp.34-35.
"Skulptur aus England", Vorwärts, Cologne, No 8, August
Pohlen, Annelie. "Julian Opie und Tony Cragg", Kunstforum, No 75, September-October, pp.194-195.
Schenk, Ruud. "Opie Verliefd", Metropolis M, No 5, pp.24-26. |
| 1985 |
Vaizey, Marina. "Having Fun with Trash", Sunday Times, London, April.
Packer, William. Financial Times, London, 16 April.
Kent, Sarah. Time Out, London, 18-24 April.
Taylor, John Russell. "A masterly turn to the South", The Times, London, 30 April.
Januszczak, Waldemar. "The wage of affluence", The Guardian, London, 30 April.
Cork, Richard. "In a Hurry", The Listener, London, 2 May
Thomas, Mona. "Intimes gentillesses du home Julian Opie", Beaux ArtS Magazine, No 24, May, pp.82-83.
Shone, Richard. "London Exhibitions", Burlington Magazine, London, May.
Andreae, Christopher. "Having a Fling with History", Christian Science Monitor, 29 June-5 July.
Ronnen, Meir. "Life as a Pun", Jerusalem Post Magazine, Jerusalem, 16 August.
"Design for London Living", Avenue, November, pp.161-163.
"Julian Opie, Ordinary Objects", Metronom, No.4, p.24 |
| 1986 |
Baker, Kenneth. "Julian Opie", Louisiana Revy, No 2, March, pp.23-27.
Hicks, Alistair. "Breaking the mould", The Magazine, March, p.43.
Hicks, Alistair. "A rediscovery of power out of obscurity", The Times, London, November
"Sheets of Steel", Sunday Telegraph, London, 9 November.
"Julian Opie: Lisson Gallery", Time Out, London, 19 November. Flash Art, No 135, November.
Berryman, Larry. "Julian Opie: Lisson Gallery", Arts Review, 5 December, p.670. |
| 1987 |
Vaizey, Marina. "Life Studies", Burlington Magazine, London, January, pp.45-49.
Cooke, Lynne. Flash Art, February.
Morgan, Stuart. "Julian Opie: Lisson Gallery", Artforum, February, p.131.
Watney, Simon. "Julian Opie: Lisson", Artscribe, March, pp.70-72.
Cooke, Lynne. "Julian Opie and Simon Linke", Flash Art, No 133, April, pp.37-39.
Lovely, David. "Casting an Eye: Cornerhouse", Artscribe International, May, p.71.
Paul, Diane B. "The Nine Lives of Discredited Data", The Sciences, May-June, pp.26-30.
Baker, Kenneth. "Julian Opie: Humorous, Cerebral Sculpture", San Francisco Chronicle, San Francisco,13 June.
Fuller, Peter. "London Exhibitions and Contemporary Art", Burlington Magazine, January.
Wolkenkratzer Art Journal, No.4, p.67.
Bonaventura, Paul. "An Introduction to Recent British Sculpture,” Artefactum, Sept-Oct, pp.3-7. |
| 1988 |
Graham-Dixon, Andrew. "Pretty Vacant", The Independent, 8 March.
Vaizey, Marina. "Nurturing talent in a narrow frame", The Sunday Times, London, 13 March.
Baker, Tom. "House of fun", The Face, April.
"Exhibition Reviews", Burlington Magazine, April, p.308
Kaido, Kazu. Bijutsu Techo, Japan, vol 40, No 594, May, p.16.
Cooke, Lynne. "Identify the Object", Art International, Vol.3, summer, pp.50-53.
"Del caos al vacio del orden", Guia del Ocio, Madrid, 17-23 October, p.45.
Danvila, Jose Ramon. "Julian Opie: el vacio atrapado", El punto, Madrid, 21-27 October.
Huici, Fernando. "Poética de la indeterminación", El Pais, Madrid, 5 November.
Messler, Norbert. "Julian Opie: Paul Maenz, Köln", Noema, Nov-Dec, p.79.
"Crónicas de exposiciones", Lapiz, No 53, p.83.
Cano, Vincente Carreton. "La Oferta Inglesa", Casa Vogue España, No.1
"Julian Opie", Time Out, 16 March, 1988
Olivares, Rosa. "Julian Opie", Lapiz, Spain, No.52, p.83. |
| 1989 |
"Julian Opie: Galeria Montenegro", Arena, February. |
| 1990 |
Lucie-Smith, Edward. "The British Art Show", Modern Painters, January.
Gillick, Liam. "Critical Dementia: The British Art Show", Art Monthly, No 134, March, pp.14-16.
Taylor, John Russell. "Taking a narrow view", The Times, 26 March.
Vaizey, Marina. "Showcase in the balance", Sunday Times, March.
Lubbock, Tom. "On active service in Glasgow's variety house", The Independent on Sunday, March.
"Face Value", The Standard, London, 20 July.
Lumby, Catharine. "Sydney Biennial, Art Gallery of New South Wales, Sydney", Flash Art, No l53, summer, p.180.
Hoffmann, Justin. "Halley, Opie, Paolini: Albrecht”, Artscribe, No 83, Sept/Oct, pp.93-94.
Baker, Kenneth. "Physical Precision, notes on some recent sculpture", Artspace, September/October.
Frank, Peter. "From the anti-form to the new Objecthood", Artspace, September/October, pp.46- 48.
Metzger, Rainer. "Peter Halley, Julian Opie, Giulio Paolini, Susanne Albrecht". Flash Art, No l54, Vol. XXIII, October, pp.l62-163.
Parkes, James Carey. "Julian Opie", The Good Times, 7 December.
Neri, Louise. "Block's Buster: Eros, C'est la vie. The 8th Biennale of Sydney", Parkett, 25, September, pp.143-148. |
| 1991 |
Kent, Sarah. "Julian Opie", Time Out, 2 January.
The Guardian, London, 2 January.
Juncosa, Enrique. "Julian Opie", Lapiz, No.75, February, pp.88-89.
Archer, Michael. "I was not making a monument, I was not making an object", Art Monthly, March, pp.3-5.
"Julian Opie: Lisson Gallery", ARTnews, March.
"From London", BT Magazine, March, p.86.
Renton, Andrew. "Julian Opie, In-between Space", Flash Art, Vol. XXIV, No.157, March/April, p.134.
Khosla, Kiron. "Julian Opie: Lisson Gallery", Artscribe, April.
Madoff, Steven Henry. "Sculpture - A New Golden Age?", ARTnews, Vol. 90, No 5, May, pp.110-121.
Cassim, Julia. "Art transforms appliances", The Japan Times, Tokyo, 9 June, p.11.
Livingstone, Marco. "L'héritage du pop art anglais leurres: voir double", Art Press, July/August, pp.23-25
Jennings, Rose. "Eat your heart out, Andy", New Statesman and Society, September.
Ubl, Ralph. "Die Macht der Tradition", Presse, 10 September.
"Kunst: Nicht mehr und nicht weniger", Kurier, 27 September.
"Julian Opie", BT Magazine, September.
Hall, Charles. "The Legacy of Pop", Arts Review, 4 October.
Tobler, Konrad. "Die Täuschung täuscht nur die Täuschang", Berner Zeitung BZ, 26 October.
"Ushering in Banality", RA, No. 32, Autumn.
Christov-Bakargiev, Carolyn. "Britannici tra i sette colli", Domenica, 17 November.
Archer, Michael. "A View of London", Das Jahr 91, Salzburge Kunstverein.
Boller, Gabrielle. "Grenville Davey/Julian Opie", Das Kunst Bulletin, No.12, pp.37-38.
Nikkei Art 1991/2, p.141. |
| 1991-1992 |
Piqué, Floriana. "Julian Opie: Franz Paludetto", Flash Art, Dec 1991 Å| Jan 1992. |
| 1992 |
Testa, Armando. "Ma le piante di Penone piaceranno ai Verdi?", Il Giornale dell'Arte, January, No.96. p17
Juncosa, Enrique. "Julian Opie", Lapiz, February.
Carboni, Massimo. "Julian Opie, Primo Piano", Artforum, Rome, February, p.127.
Crisafulli, Fabrizio. Juliet, No.56, February/March, p.61.
Schöllhammer, Georg. "Skulpturen der Trabantenstadt Julian Opies Raum-modelle", Der Standard, Vienna, 26 February
Moser, Ulli. "Der Brite Julian Opie in der Wiener Secession", Kurier, Vienna, February
Boller, Gabrielle. "Grenville Davey, Julian Opie, Bern, Kunsthalle", Artefactum, March, p.49.
"Julian Opie", Vernissage, Vienna, March
Sotriffer, Kristian. "Glätte und Magie der Hülle: Julian Opie, Hübner und Zitko in der Secession", Die Presse, Vienna, March
"Julian Opie in der Secession", Die Presse, Vienna
Krumpl, Doris. "1.800 elektromische Gewitter: die Secession zeigt neue Objekte des jungen Briten Julian Opie", Falter, Vienna
Frohmann, Günther. "Wien: Julian Opie, Ursula Hübner und Duane Hanson", Salzburger Nachrichten, Salzburg
Borchhardt-Birbaumer, Brigitte. "Wiener Secession: Opie, Hübner", Weiner Zeitung, Vienna
"Julian Opie in Wiener Secession", Tiroler Tageszeitung, Innsbruck, 16 March
Borrelli, Francesca. "Oriente mon amour", Wimbledon, No 23, March, p.60-63
Myerson, Clifford. "Architectural Art", Art Monthly, London, May, pp.22-24
Karcher, Eva. "Aktuell in Münchner Galerien", Süddeutsche Zeitung, Munich, 30 June
Boyer, Charles-Arthur. "De huizen van Julian Opie of: het vermoeide modernisme", Archis, September, p.10.
Norman, Geraldine, "Eighties for sale", The Independent on Sunday, London, 3 May
Bevan, Roger, "Saatchi Collection Opens New Exhibition of Young British Art", The Art Newspaper, Mar 1992 |
| 1993 |
Marlow, Tim. "Julian Opie: Imagine there's another possibility", Terskel/Threshold, No.9, January, pp.49-63
Roberts, James. "Tunnel Vision", Frieze, Issue 10, May, pp.28-35
Hansen, Jørgen. "I alle reninger - og ingen steder hen", Morgenavisen Jyllands- Posten, Copenhagen, 1 May
Hjort, Øystein. "Leg med rum og mellemrum", Politiken, Copenhagen, 4 May
Sørensen, Ann Lumbye. "Øjeblikkets abne skulptur",Information Onsdag, Copenhagen, 5 May
József, Kótai. "Az `elséstált' lehetoség", Magyar Nemzet, Hungary, 18 June
Acsay, Judit. "Made Strange", Daily News, Hungary, 18-24 June
Miklós, Losonci. "Osi idomok, mai jelek", Vasarnapi Hirek, Hungary, 27 June
"Felejthetó és felejthetetlen dolgok", Népszabadság, Hungary, 30 June
"Fúga és gipszpadló", Magyar Narancs, Hungary, 8 July
Hall, James. "Toys for Today", The Guardian, Monday 8th November, pp. 4-5
Packer, William. "Toytown comes to the Hayward", The Financial Times, 9 November
Beaumont, Mary Rose. "Contemporary Sculpture on View", Galleries, November
Hilton, Tim. "The Years of Living Dangerously", The Independent on Sunday, 14 November
"Plastiker & Objektkünstler", Art, das Kunstmagazin, No. 7, July
Henry, Clare, "Julian Spalding", Galleries, London, May 1993
Cork, Richard. "Surprises on the South Bank", The Times, London, 3 Sept
Henry, Clare. "Terrific sculptures but none by the Scots", Glasgow Herald, Glasgow, 28 May
Auty, Giles. "Oracular Wit", The Spectator, London, 27 November
Dorment, Richard. "Virtual Reality Comes to Toytown", Daily Telegraph, London, 1 Dec.
Januszcaczak, Waldemar. "Driving without a map", Sunday Times, London, 21 Nov
Trager, Wölfgang, "Biennale Venedig '93", Kunstforum, Bd.124, Nov/Dec
Gale, Ian. "The Right Frame of Mind", The Independent, London, 15 December, p.24
"Arena Recommends", Arena, Nov 1993
"Motorway Madness Hits the South Bank", Tate, Winter 1993
Feaver, William. "Function Skewed", Vogue, Nov 1993
"Visual Art", The London Magazine, Nov 1993
"Art Performance", Tatler, Nov 1993
The Independent, 2 Nov 1993
"Driving on the Road to Nowhere", The Independent, London , 9 Nov
Cork, Richard. "Landmarks and Roads to Nowhere", The Times, London, 12 Nov
What's on, 10 Nov.
"Rendez - Vous", Ville & Casali, November
Kent, Sarah. "Building Sights", Time - Out, p.39
Taylor, Sam. "Driving in Both Directions", Daily Express, 12 Nov
Thorburn, Hedvig. "Vägbyggen Som Förbryllar", Sydsvenska Dablades, 18 Nov
Meades, Jonathan. "Old Kids on the Blocks", Mail on Sunday, 28 Nov
"The Arts Guide", International Herald Tribune, 12 Nov
"No Hope for Opie", Time - Out, 30 Nov
"Julian Opie Recent Works", Socialist Newspaper, 18 Nov
Big Issue, 16 Nov
Carrington, Anne. "Julian Opie And Roger Hilton", University of Greenwich Students Magazine, November
"Roger Hilton and Julian Opie", ES Magazine, 3 Dec 1993
McKay, Ian. "Strange Bedfellows", What's On, 15 Dec 1993
"The Hayward Gallery", Felix, Dec 1993
Chater, Peter. "Mixed Reviews", Spectator, 18 Dec 1993
Gregory, Anne. "Julian Opie and Richard Wentworth", Modern Painters, pp.94-95
Talbot, L. "Opie's Compulsive Monotony", Ham & High, 26 Nov
The Antique Collector, Nov 1993, p.106
"Roger Hilton/Julian Opie", Times, 30 Oct 1993
Cohen, David. "Reviews", Sculpture, vol.12, No.6, Nov-Dec, p.58
1993-1994 Gillick, Liam. "Julian Opie", Art Monthly, Dec-Jan, No.172, p.26
1994 “Julian Opie", Contemporary Art, Winter 1993-4
Feaver, William. "Roger Hilton and Julian Opie", ARTnews, February, Volume 93, No.2, pp.149- 150
"Exporama: Julian Opie", Artpress, No.188, February, p.72
Renton, Andrew. "Julian Opie: Hayward Gallery", Flash Art International, Vol.XXVI, No.174, January/February
Rogers, Ben. "In the frame: Julian Opie", Independent, London, 6 March
Queren, Henning. "Wie ein Gulliver zwischen Videoclip und Ritterburg", Neue Presse, 25 February
Berg, Stephan. "Julian Opie", Kunstforum, bd.126, March/June, pp.416-417
Bevan, Roger. "Rome Celebrates British Art", The Art Newspaper, No.39, June, p.16
Cohen, David. "London, England", Sculpture, Vol. 13, No.3, May-June, p.77
Corrias, Pilar. "Looking to the future: contemporary art in London", The Society of London Art Dealers (1994/5 Yearbook & Directory of Members), London, pp. 44-45
Juncosa, Enrique. "Noves Veus: Pintura Britanica 1989-1992", El Pais, Madrid, 3 April
Bernardina, Marta Dalla. "Julian Opie", Segno, No.143, May, pp.32-35
Spiegel, Olga. "Nova Pintura Britanica al Centre d'Art Santa Monica", La Vanguardia, 19 March
Lyttleton, Celia. "War of the art worlds", Tatler, August, pp.108-113
Rueda, Carmen. "'New Voices', a show if irony and humour in the Museo de Bellas Artes de Bilbao", Deia, 4 May
de Gorbea, Xavier Saenz. "British Painting 1989-1992", Deia, 22 May
Saiz, Josune. "British New Voices in Bilbao", Egin, 4 May
Agirre, G. "'Ahots Berriak', Britainia Handiko gaur egungo pinturaren errebisioa", Egunkaria, 4 May
San Millan, Marga R. "Bilbao holds an exhibition with 14 young British artists", El Mundo del Pais Vasco, 4 May
Stoeber, Michael. "Legoland der Kunst", Artist, Bremen, June, pp.18-21
Doove, Edith. "Julian Opie", Artefactum, XI/52, Summer, p.34
Wiedeman, Christoph. "Kunst Tips", Süddeutsche Zeitung, 6 April
Hughes, Jack. "Cries and Whispers", Independent on Sunday, 16 Jan
Wiedemann, Christoph. "Aktuell in Münchner Galerien", Süddeutsche Zeitung, 30 March
Bode, Peter. "Die Realität im Modell Suchen", Samstag/Sonntag, 27 Mar 1994, p.9
Cooper, Emmanuel. "Visual Arts", Tribune, 7 Jan 1994
Archer, Michael. "Julian Opie", Artforum, XXXII, No.8, April 1994
"News From the Trevi Flash Art Museum", Flash Art International, Vol.XXVII, No.178, p.40
"Pleasure at Her Majesty's", The Architect's Journal, London, 27 October, p.22
Dorment, Richard. "Her Majesty's Pleasure", The Daily Telegraph, 2 November
Norman, Geraldine. "British Set Trend With Pickled Bulls and Subversive Vases", The Independent, London, 21 Nov 1994 |
1994-1995 |
Archer, Michael. "The Cologne Art Fair", Art Monthly, Dec'94-Jan 95, p.29 |
| 1995 |
Archer, Michael. "The Cologne Art Fair: Two Views", Art Monthly, London, No.182, Jan 1995, p.29
Vettese, Angela. "Architettura Simulata", Domus, No.767 Milan, January pp. 70-74
Leguillon, Pierre. "Micromegas, American Centre", Art Press, No.203, Paris, June, p.81
Cooke, Lynne. "Micromegas", Parkett, No.44, Zurich, July '95, pp.132-137, 138-145
"Speciale Anteprima Fuori Uso '95", Segno, No.141, Pescara, June-July, pp.20-25
Gale, Iain. "Iain Gale on exhibitions", The Independent, London, 11 August
Hilton, Tim. "Abstract expressions", The Independent on Sunday, London, 13 August
Gayford, Martin. "The subject is anything", The Daily Telegraph, London, 16 August
Bickers, Patricia. "Drawing the Line", Art Monthly, No.189, London, September, pp.40-41
Patrick, Keith. "The complex web", RA Magazine, No.48, London, autumn, pp.24-25
Lambirth, Andrew. "Whose line is it anyway?" What's On, London, 16 August, pp.12-13
Kalinski, Nicola. "London, Whitechapel Art Gallery, Drawing the Line", Burlington Magazine, London, July, pp.470-472
Gleadell, Colin. "Footnotes to the October Calendar", Art Monthly, No.190, London, October, p.42
Deggiovanni, Piero. "Arte Inglese Oggi", Tema Celeste, No.53-54, Milan, autumn, p.88
Uccia, Birgid. "Mailand: Julian Opie in der Galerie Monica de Cardenas", Kunst-Bulletin, No.12, Zurich, December, p.35
Dorment, Richard. "Anything but boring", The Daily Telegraph, London, 30 December |
| 1995-1996 |
Gleadell, Colin. "Little Jack Horner & the Wunder-Barn Kid", Art Monthly, No.192, Dec.1995- Jan.1996, pp.46-47 |
| 1996 |
Verzotti, Giorgio. "Julian Opie. Monica De Cardenas", Artforum, New York, January, pp.91-92
Cunningham-Tinguely, A. "Julian Opie", La Clef, 29 March
Marguerat, Florence. "Julian Opie", Scenes Magazine, April
Grandjean, Emmanuel. "Aux frontières du réel", Le Nouveau Quotidien, 29 March
Freedman, Carl. "Julian Opie", Galleries, London, June, p.27
"Great Britain, past and present", Art Press, No.214, Paris, June, p.19
"Julian Opie", The Standard, London, 11 June
Januszczak, Waldemar. "An air of familiarity", The Sunday Times, London, 23 June
Brunner, Manfred. "Suggestion einer Autofahrt", Neue Bildende Kunst, No.3, Berlin, June-July, p.82
Sanderson, Philip. "Julian Opie, Lisson Gallery", Art Monthly, No.198, London, July, pp.25-26
"Julian Opie on Giovanni di Paolo's St John The Baptist Retiring To The Desert", The Guardian, London, 2 July
Coomer, Martin. "Julian Opie. Lisson", Time Out, London, 3 July
Rennert, Martin. "Nudes and Tin-Tin", Times Higher Educational Supplement, London, 8 November
Bonami, Francesco. "Julian Opie", FlashArt, November-December
Lyttleton, Celia. "Julian Opie", The Now Art Book, Japan
Burrows, David. "How will we behave?", Art Monthly, September |
| 1997 |
Thorncroft, Antony. "Dealers at the cutting edge", Financial Times, London, 18 January
Kurjakovic, Daniel, and Dominique Lämmli. "Reisen bei hoher Geschwindigkeit", Kunst-Bulletin, March
Cork, Richard. "Intimations", The Times, 8 April
Dorment, Richard. "Hypnotic Power of the object", The Daily Telegraph, 23 April
Kent, Sarah. "Culture Club", Time Out, 16-23 April
Hall, James. "The School without an Underclass" 2 May
Rondi, Joelle. "British Spring", Artpress, No. 225, June
Dorment, Richard. "Brits are best - and I'm not biased", The Daily Telegraph, 18 June |
| 1998 |
Anon. "That'll do nicely- Art gets branded", Frieze, Issue 42
Barrett, David. "Surfacing - Contemporary Drawing", Art Monthly, No.221, November, pp 27-28. |
| 1999 |
Freedman, Lisa. "Gone to Ground", The Independent on Sunday, 21 February
Raap, Jürgen. "Für Sie habe ich noch etwas Besonderes”, Kunstforum, March- April, p. 454
Garlake, Margaret. "Monumental Work", Art Monthly, April, No.225, p.47
Morison, Paul. "Bonjour Monsieur Caulfield", Contemporary Visual Arts, issue 22, pp. 26-32
"50 years of British sculpture", Les cahiers de la sculpture, no. 1, p. 50
"Underneath the paving stones ...", Art Monthly, May, no.226, p.20
Dalby, Stewart. "Some days my prints will come good", The Guardian, May 1, p.18
Cork, Richard. "Artist's impressions", The Times, May 1, pp. 32-36
Liebmann Lisa, and Brooks Adams. "A Summer Place", Art in America, June, pp. 100-107
"Sculptuur 1999/Julian Opie", Haagsche Courant, 18 June
Meier, Philipp. "Nicht-Porträts - Nicht Orte", Neue Zürcher Zeitung, 1 SeptM*
Whiting, Sam. "Death-Embracing Show in Spotlight", San Francisco Chronicle, Sept 4
"Shopping and Fucking", p. 23, Art Monthly, Oct. 99
Buck, Louisa. "Mart for art's sake", Esquire, Dec 99, p. 58 |
| 2000 |
Block, Lawrence. "Pictures by Julian Opie", Modern Painters, cover, pp. 65-79, spring 2000
Rosser, Nigel. "Where for art now? The Tate", Evening Standard, April 18, 00
Dixon, Andrew Graham. "The Art of Success", Vogue, pp.179-92 London, May 2000
Murphy, Dominic. "Far-Out Pavilions", The Guardian Weekend Magazine, p.37, May 13, 00
Thorpe, Vanessa "Tate curator in attack on arts", The Observer, p.9, May 14, 00
Januszczak, Waldemar. "Curated chaos", The Sunday Times Magazine, pp.6-7, May 14, 00
Glover, Izi. "Lost, Ikon Gallery", pp.114-115, Frieze, issue 53, June / July / Aug.
Buck, Louisa. "Art is sexy", Evening Standard ES Magazine, p.15, June 2, 00
Lloyd, Ann Wilson. "Julian Opie at Barbara Krakow", Art in America, pp.129- 130, June 2000
Glover, Izi. "Lost, Ikon Gallery", Frieze, pp. 114-115, issue 53, June-July-Aug
Milner, Catherine "High IQ", Tatler, Aug 2000
Mc Ritchie, Lynn. "Intelligent approach to modern art", The Financial Times, p.16, early edition, July 7, 2000
Searle, Adrian. "Thick and Thin", The Guardian, 8 July 00
Packer, William. "Cutting-edge intelligence proves artificial"
Januszczak, Waldemar. "A test of Intelligence", Sunday Times, Culture Section 9, p.8-9, July 9, 2000
Cork, Richard. "Driving forces of the new British Art", The Times, p.24, July 07, 2000
Mullins, Charlotte. interview, "The Lure of the Open Road", Art Review, Prints, pp.11-13, autumn 2000
Cumming, Laura. "You can fill in the blanks", The Observer Review, 9 July 00
Ulmer, Brigitte. "Kunstszene London: Explosion an Kreativitaet!", Bolero, pp.26-32, Sept. 2000
"The biggest event of the year was...", Londinium, p.28, autumn 2000
Jens Peter Coerver, "New Painting, der Stand der Dinge", Frame, (Germany), pp.36-49, July - Aug
"Tate Modern Reality and Fiction", Tema Celeste, p.116, Oct.-Dec. 2001
Moncrieff, Elspeth. "British artists plaster London galleries", The Art Newspaper, Nov 00, p. 74 |
| 2001 |
Milner, Catherine. "Artscene, Nursery's cool", Tatler, London, p. 64, Feb. 2001
Hackworth, Nick. "Opie Land in a Blur", Evening Standard, London, 23 February
Januszczak, Waldemar. "Everything must go?", pp.6-7, The Sunday Times, Culture magazine, Feb 18 2001
Güner, Fisun. "Julian Opie", What's on in London, pp. 23 & 25, 21 Feb
"Computers used to bring Andy Warhol's ideas bang up-to-date", Hampstead & Highgate Express, 23 Feb 2001
Chapman, Peter. The Independent, 24 Feb 2001
Jones, Jonathan. "A Gainsborough for the 21st century", The Guardian, 28 February
Kent, Sarah. Time Out, 28 February 2001
Northwest, London, February 01
Bergmans, Jeroen. "Julian Opie", Wallpaper, Mar 01
Buck, Louisa. "PC World", p.40, Esquire, March 01
OK Magazine, London, 2 March 01
Patrick, Keith. "Contemporary Landscapes", Contemporary Visual Arts, pp.70- 71, Issue 32
Behrman, Pryle. "Julian Opie", Art Monthly, pp. 31-33, March 01
Reitmaier, Heidi. "artzone", p. 83, Tate, spring 2001
Darwent, Charles. "Growing up as an infantilist artist", The Independent on Sunday, 11 February 2001
Cumming, Laura. "Figure that one out...", The Observer, 11 February 2001
Güner, Fisun. Metro, London, 9 Feb 2001
"Into the blue", i-D Magazine, p. 186, Feb 2001
Hemming, Sarah. "City Central", Daily Express, 26 January 2001
"Opie for the masses", Vogue, Feb 2001
"Opie verdict", The Independent on Sunday/Reality Magazine
Sumpter, Helen. "Choice", p. 38-39, Hot Tickets, 9-15 February 2001
Clark, Paul. "It's all a bit of a Blur", Evening Standard/Going Out, Feb 8 2001
"Richard Cork's five best London exhibitions", p. 25, Play, Mar 10-16
McEwen, John. The Sunday Telegraph, Mar 11 2001
"Baltic", p. 117, Tema Celeste, Mar-Apr 2001
Buck, Louisa. "Logo people", p. 37, The Art Newspaper, Feb 2001
"My Bookmarks", The Daily Telegraph, 5 April
JL. "Julian Opie", The Guardian, Guide, 3 Feb 2001
Wyatt, Kathleen. "Arts Diary", The Times, 5 Feb 2001
Shone, Richard. "London: Opie; Landy", Burlington Magazine, April 2001, pp. 235-236
Archer, Michael. "Julian Opie", Artforum, May 2001, pp. 188-189
"Julian Opie", The Art Magazine Wolgan Misool, Issue 7, 2001, pp. 100-105
"The Artist's Eye: Julian Opie", preview of short screened on BBC Knowledge, The Times, 17 July 2001
Callender, Cat. "Holidays of the rich and famous", The Observer Magazine, 5 August, p. 35
Godfrey, Tony. "Plain Vision", RA Magazine, autumn 2001, p. 27
RS. "Julian Opie/Birmingham", Artforum, September 2001, p. 83
Daily Telegraph, 30 August 2001
Gibbons, Fiachra. "Gallery suffers blurred vision", The Guardian, 6 September 2001
Reynolds, Nigel. "Yes, we can see a blur but who's in the pictures?", The Daily Telegraph, 6 September 2001
Gavin, Francesca. "The motorway Monet: Julian Opie", Intersection, 2001
Celeste, Tema. "B. Open", November-December 2001 |
| 2002 |
"After Andy: ten artists discuss the significance of Warhol for them", Contemporary, Feb 02
Shone, Richard. "Julian Opie, Ikon Gallery", Artforum, Feb 02
"Prizetime", Art Monthly, No 253, February 2002
Wright, Karen. "Gallery", Modern Painters, spring 2002, Volume 15, Number 1
Art Review: "Dangerous sport sponsors art", April 2002, volume LIII, page: 20
Art Review: "Sponsor the Difference", June 2002, Volume LIII
Flash Art, Vol. XXXIX no. 225, July-September 2002
Ratnam, Niru. "A chequered history", Contemporary, June-July-August, 2002, p. 74-76
Chrisafis, Angelique. "Skateboarder wins UK's largest art prize", The Guardian, 08-05-2002, p. 5
The Independent on Sunday, "Answer the questions! People mistake me for the receptionist", 31 March 2002
Glover, Michael. "Seeing is believing", The Independent (London), 16 July 2002
Batten, Rhiannon. "Blank canvas", The Scotsman, 6 July 2002, p. 22 (magazine)
Sudjic, Deyan. "It's enough to make you weep", The Observer, 7 July 2002, p. 12
Taylor, John Russel. "Wrapped up in celluloid", Times 2, 8 May 2002, p. 16
Thomas, Michelle. "New: Recent acquisitions of contemporary art", The List, 1 August 2002
Jackson, William. "Art 33 Basel", Galleries, August 2002
Usherwood, Paul. "B. Opened", Art Monthly, No. 259, September 2002, p. 1-4
Lorés, Maite. "B-OPEN", Contemporary, Sept. 2002, p. 80
Crowley, Tim. "Regeneration of the Past: Ensuring long term success for the Baltic”, Art Index, # 1, 2002, p. 52-53
Koplos, Janet. "Art Factory for England", Art in America, Oct. 2002, p. 45
Blackburn, Janice. "House Style", Art Review, Oct. 2002, Vol. LIII, p. 90-95
"B. OPEN", Modern Painters, autumn 2002, p. 142 |
| SELECTED PUBLIC & CORPORATE COLLECTIONS |
| Aberdeen Art Gallery, Scotland |
| Arts Council of Great Britain |
| Banque Bruxelles Lambert, Bruxelles |
| Carnegie Museum, Pittsburgh, USA |
| Collection Essl, Vienna, Austria |
| Contemporary Art Society, Britain |
| Daimler Chrysler, Berlin |
| Dresdner Bank, Berlin |
| Deutsche Bank, Frankfurt |
| Daros Collection, Zurich, Switerland |
| Fonds National d'Art Contemporain, France |
| Fundacion Caja de Pensiones, Madrid |
| Gana Art Centre Seoul, Korea |
| Gjensidige, Oslo Norway |
| ICA, Boston |
| Institut Valencià d'Art Modern (IVAM), Spain |
| Kunsthalle Bern, Bern |
| Kunsthaus Bregenz, Bregenz |
| Kunsthaus Zurich, Switzerland |
| Kresge Art Museum, Michigan State University |
| Lenbachhaus Städtische Galerie, Munich |
| Maison Europeene de la photographie Paris |
| Museet for Samtidskunst, Oslo |
| Museo d'Arte Contemporanea Prato |
| Museum of Fine Arts, Boston |
| Museum of Modern Art, New York |
| Neue Galerie, Sammlung Ludwig |
| Neues Museum, Nuremberg, Germany |
| National Gallery of Victoria, Melbourne |
| National Portrait Gallery, London |
| Stedelijk Museum, Amsterdam |
| The British Council, England |
| The British Museum, London |
| The Calouste Gulbenkian Foundation, Portugal |
| The Government Art Collection, London |
| The Israel Museum, Jerusalem |
| The Museum of Contemporary Art of Leon (MUSAC), Spain |
| The National Museum of Art, Osaka |
| Takamatsu City Museum of Art, Japan |
| The Tate Gallery, London |
| The Victoria and Albert Museum, London |
| Wadsworth Atheneum |
|
